Skip to main content

Film Review: JULIE (1956)

Julie is an edge-of-your-seat suspense thriller featuring Doris Day in one of her few dramatic roles. Day plays the title character of Julie Benton, a woman who is trapped in a volatile marriage to a insanely jealous man, Lyle Benton (played by Louis Jourdan). The first half of the film is about Julie's harrowing escape from her husband. Having being threatened that she would be murdered if she ever tried to leave him, Julie risks her life to get away. The second half of the film sees Julie return to her former career as a flight attendant, only to find herself on a plane with her homicidal husband as a passenger. As he reaches his breaking point and shoots the flight crew, there's no one left to land the plane except for Julie. The climax of this strange but thrilling movie was a precursor to Karen Black's iconic performance in Airport 1975 (who also plays a flight attendant who has to land a plane in the middle of crisis). It's a shame that Day didn't make more dramatic films. Here, she demonstrates tremendous range by showcasing her ability to play multiple levels in a single scene. Director Andrew L. Stone seems to be aware of the power of his leading lady, opting for closeups on her as much as possible. Day is such a strong actor, she's able to fill each silent beat with clear emotions, often with a slight shift of expression. The only stumble in the film is the casting of Louis Jourdan as the menacing husband. While he and Day certainly shared an intensity in their scenes, his performance could not match Day's layered, nuanced acting. She outshines him in every scene. While watching Julie, I wondered how much of an influence this film was on subsequent and similar films such as Sleeping with the Enemy or the recent remake of The Invisible Man (starring Elisabeth Moss in a role echoing Day's). Nevertheless, this fantastic film noir thriller from 1956 offers up a terrific and sometimes terrifying ride. At the very least, it will give you a new appreciation for flight attendants. 

Wren Valentino

🍿🍿🍿🍿

Comments

Popular posts from this blog

Film Review: THE SCREAMING SKULL (1958)

A lot can be said about The Screaming Skull . Is it over the top? Yes. Is it a great film? No, not really. Is it fun to watch? Definitely. The concept of the movie is fairly simple: a second wife is a victim of gaslighting by her new husband who is guilty of murdering his first wife, who haunts everyone she can. This low-budget gothic horror film from 1958 was directed by Alex Nicol, who up to this point in his career was known for his work as Broadway actor. Peggy Webber, the star of the film whose performance is nothing short of brilliant, loathed the movie stating it made it her want to throw up after viewing it (because of the quality, not because of any gore). Yet, Webber is a power house in her role. Her considerable acting skills are demonstrated in scene after scene as her character Jenni Whitlock is convinced by those around her (including by herself) that her sanity is slipping. Playing the scheming, homicidal husband, John Hudson gives an equally impressive performance. Adap

Film Review: I SAW WHAT YOU DID (1965)

I love most films William Castle directed in his nearly forty year film career. This cinematic gem from 1965 is no exception. This low-budget no frills thriller is centered around a clever concept: two young woman prank call strangers one night leading them into a web of danger when they accidentally cause a murderer to panic when they inform him “I saw what you did, and I know who you are.” Believing what they say to be true, killer Steve Marak (played by a menacing John Ireland) is intent on finding the young women (played by Sara Lane and Andi Garrett who are believable as naïve high school friends, unaware of the consequences of their actions) to silence them. Castle knows how to create suspense on the screen. Here he gets the most out of a single idea, filling each connected moment with subtle terror before bringing us to the edges of our seats with a nail-biting ending. The film features Joan Crawford in a supporting role. Castle’s only misstep here is not making her part larger.

Film Review: THE MIDNIGHT STORY (1957)

This dramatic film noir from 1957 is a fun watch. The plot is pretty layered, allowing for a few nice twists along the way. The story centers around a San Francisco traffic cop intent on solving the murder of a priest who was a father figure to him. He goes undercover, falls in love with a female cousin of the suspect, and comes up with a strategy to get a confession. Thanks to the screenwriters (John Robinson and Edwin Blum), the film is more character-driven, rather than relying on action. The character development is rich here, demonstrated in the writers choice to give the cast of characters complicated lives, including those of the police officers involved in the murder case. The acting is top-notch, including one of Tony Curtis’ best performances. Marisa Pavan and Gilbert Roland also shine in their roles, each bringing an intensity and beautiful desperation to the screen. Filmed on location in San Francisco, director Joseph Pevney keeps the story moving forward at a great pace. A